In Lossless
love for music, film, poetry, and the art of finding the right words.
IN LOSSLESS
After Unforgettable
by Ariel
Sullivan
FADE IN:
INT. APARTMENT
LIVING ROOM – DAY
A man sits at a
makeshift recording studio set up on a coffee table. Computer backlight
sketches hues of blue across his face. A microphone is configured in the middle
of the carpet and is switched to “on.” He replays the same four songs.
(close-up of
cigarette in his hand)
MICHAEL
I do my best
thinking at night, when everyone else is asleep.
There’s only ambient
noises, the room in little uproars
and I can only see palm trees, faded filters on fancy cars,
vulgar lyrics in sans serif and syncopated drums, speakers pulsing.
and I can only see palm trees, faded filters on fancy cars,
vulgar lyrics in sans serif and syncopated drums, speakers pulsing.
(beat)
(close-up of
mouth)
Dangerous
thing, to re-imagine scenes and the words
get caught
between my teeth, like light struggling to expose
imperfections
in blinds, little glints of streetlamps across the
couch cushions in mosaic. I want to turn it all into something palpable
couch cushions in mosaic. I want to turn it all into something palpable
that I can hold
in my palms. But I’m stuck on the image of you, curbside,
in a vacant gas
station parking lot and your hands were shaking, saying
you had
somewhere else you needed to be. I
can hear the clicks of your
heels on the tile as you roam a museum floor, stopping every so often,
heels on the tile as you roam a museum floor, stopping every so often,
it is the sound
of wandering. In this room, I only hear discordant beats,
a cacophony of
television hums, keyboard taps, the air conditioner.
All textured
layers of sound that don’t fit into my fingers. I am a poor man
who dreams that
I could re-play it all in lossless audio, feel it into verses.
Ariel, this is fantastic! Really great stuff girl :)
ReplyDeleteThank you miss Samantha that means a lot! :)
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